Catullus 64
- Alexei Varah
- Jul 19
- 22 min read
Original Latin
Peliaco quondam prognatae vertice pinus
dicuntur liquidas Neptuni nasse per undas
Phasidos ad fluctus et fines Aeetaeos,
cum lecti iuvenes, Argiuae robora pubis,
auratam optantes Colchis avertere pellem
ausi sunt vada salsa cita decurrere puppi,
caerula verrentes abiegnis aequora palmis.
diva quibus retinens in summis urbibus arces
ipsa levi fecit volitantem flamine currum,
pinea coniungens inflexae texta carinae.
illa rudem cursu prima imbuit Amphitriten;
quae simul ac rostro ventosum proscidit aequor
tortaque remigio spumis incanuit unda,
emersere freti candenti e gurgite vultus
aequoreae monstrum Nereides admirantes.
illa, atque alia, viderunt luce marinas
mortales oculis nudato corpore Nymphas
nutricum tenus exstantes e gurgite cano.
tum Thetidis Peleus incensus fertur amore,
tum Thetis humanos non despexit hymenaeos,
tum Thetidi pater ipse iugandum Pelea sensit.
o nimis optato saeclorum tempore nati
heroes, salvete, deum genus! o bona matrum
progenies, salvete iter...
vos ego saepe, meo vos carmine compellabo.
teque adeo eximie taedis felicibus aucte,
Thessaliae columen Peleu, cui Iuppiter ipse,
ipse suos divum genitor concessit amores;
tene Thetis tenuit pulcerrima Nereine?
tene suam Tethys concessit ducere neptem,
Oceanusque, mari totum qui amplectitur orbem?
quae simul optatae finito tempore luces
advenere, domum conventu tota frequentat
Thessalia, oppletur laetanti regia coetu:
dona ferunt prae se, declarant gaudia vultu.
deseritur Cieros, linquunt Pthiotica Tempe
Crannonisque domos ac moenia Larisaea,
Pharsalum coeunt, Pharsalia tecta frequentant.
rura colit nemo, mollescunt colla iuvencis,
non humilis curvis purgatur vinea rastris,
non glebam prono convellit vomere taurus,
non falx attenuat frondatorum arboris umbram,
squalida desertis rubigo infertur aratris.
ipsius at sedes, quacumque opulenta recessit
regia, fulgenti splendent auro atque argento.
candet ebur soliis, collucent pocula mensae,
tota domus gaudet regali splendida gaza.
pulvinar vero divae geniale locatur
sedibus in mediis, Indo quod dente politum
tincta tegit roseo conchyli purpura fuco.
haec vestis priscis hominum variata figuris
heroum mira virtutes indicat arte.
namque fluentisono prospectans litore Diae,
Thesea cedentem celeri cum classe tuetur
indomitos in corde gerens Ariadna furores,
necdum etiam sese quae visit visere credit,
utpote fallaci quae tum primum excita somno
desertam in sola miseram se cernat harena.
immemor at iuvenis fugiens pellit vada remis,
irrita ventosae linquens promissa procellae.
quem procul ex alga maestis Minois ocellis,
saxea ut effigies bacchantis, prospicit, eheu,
prospicit et magnis curarum fluctuat undis,
non flavo retinens subtilem vertice mitram,
non contecta levi velatum pectus amictu,
non tereti strophio lactentis vincta papillas,
omnia quae toto delapsa e corpore passim
ipsius ante pedes fluctus salis alludebant.
sed neque tum mitrae neque tum fluitantis amictus
illa vicem curans toto ex te pectore, Theseu,
toto animo, tota pendebat perdita mente.
misera, assiduis quam luctibus externavit
spinosas Erycina serens in pectore curas,
illa tempestate, ferox quo ex tempore Theseus
egressus curvis e litoribus Piraei
attigit iniusti regis Gortynia templa.
nam perhibent olim crudeli peste coactam
Androgeoneae poenas exsolvere caedis
electos iuvenes simul et decus innuptarum
Cecropiam solitam esse dapem dare Minotauro.
quis angusta malis cum moenia vexarentur,
ipse suum Theseus pro caris corpus Athenis
proicere optavit potius quam talia Cretam
funera Cecropiae nec funera portarentur.
atque ita nave levi nitens ac lenibus auris
magnanimum ad Minoa venit sedesque superbas.
hunc simul ac cupido conspexit lumine virgo
regia, quam suavis exspirans castus odores
lectulus in molli complexu matris alebat,
quales Eurotae praecingunt flumina myrtus
aurave distinctos educit verna colores,
non prius ex illo flagrantia declinavit
lumina, quam cuncto concepit corpore flammam
funditus atque imis exarsit tota medullis.
heu misere exagitans immiti corde furores
sancte puer, curis hominum qui gaudia misces,
quaeque regis Golgos quaeque Idalium frondosum,
qualibus incensam iactastis mente puellam
fluctibus, in flavo saepe hospite suspirantem!
quantos illa tulit languenti corde timores!
quanto saepe magis fulgore expalluit auri,
cum saevum cupiens contra contendere monstrum
aut mortem appeteret Theseus aut praemia laudis!
non ingrata tamen frustra munuscula divis
promittens tacito succepit vota labello.
nam velut in summo quatientem brachia Tauro
quercum aut conigeram sudanti cortice pinum
indomitus turbo contorquens flamine robur,
eruit (illa procul radicitus exturbata
prona cadit, late quaevis cumque obuia frangens,)
sic domito saevum prostravit corpore Theseus
nequiquam vanis iactantem cornua ventis.
inde pedem sospes multa cum laude reflexit
errabunda regens tenui vestigia filo,
ne labyrintheis e flexibus egredientem
tecti frustraretur inobservabilis error.
sed quid ego a primo digressus carmine plura
commemorem, ut linquens genitoris filia vultum,
ut consanguineae complexum, ut denique matris,
quae misera in gnata deperdita laeta
omnibus his Thesei dulcem praeoptarit amorem:
aut ut vecta rati spumosa ad litora Diae
venerit aut ut eam devinctam lumina somno
liquerit immemori discedens pectore coniunx?
saepe illam perhibent ardenti corde furentem
clarisonas imo fudisse e pectore voces,
ac tum praeruptos tristem conscendere montes,
unde aciem in pelagi vastos protenderet aestus,
tum tremuli salis adversas procurrere in undas
mollia nudatae tollentem tegmina surae,
atque haec extremis maestam dixisse querellis,
frigidulos udo singultus ore cientem:
'sicine me patriis avectam, perfide, ab aris
perfide, deserto liquisti in litore, Theseu?
sicine discedens neglecto numine divum,
immemor a! devota domum periuria portas?
nullane res potuit crudelis flectere mentis
consilium? tibi nulla fuit clementia praesto,
immite ut nostri vellet miserescere pectus?
at non haec quondam blanda promissa dedisti
voce mihi, non haec miserae sperare iubebas,
sed conubia laeta, sed optatos hymenaeos,
quae cuncta aereii discerpunt irrita venti.
nunc iam nulla viro iuranti femina credat,
nulla viri speret sermones esse fideles;
quis dum aliquid cupiens animus praegestit apisci,
nil metuunt iurare, nihil promittere parcunt:
sed simul ac cupidae mentis satiata libido est,
dicta nihil metuere, nihil periuria curant.
certe ego te in medio versantem turbine leti
eripui, et potius germanum amittere crevi,
quam tibi fallaci supremo in tempore dessem.
pro quo dilaceranda feris dabor alitibusque
praeda, neque iniacta tumulabor mortua terra.
quaenam te genuit sola sub rupe leaena,
quod mare conceptum spumantibus exspuit undis,
quae Syrtis, quae Scylla rapax, quae vasta Carybdis,
talia qui reddis pro dulci praemia vita?
si tibi non cordi fuerant conubia nostra,
saeva quod horrebas prisci praecepta parentis,
attamen in vestras potuisti ducere sedes,
quae tibi iucundo famularer serva labore,
candida permulcens liquidis vestigia lymphis,
purpureave tuum consternens veste cubile.
sed quid ego ignaris nequiquam conquerar auris,
externata malo, quae nullis sensibus auctae
nec missas audire queunt nec reddere voces?
ille autem prope iam mediis versatur in undis,
nec quisquam apparet vacua mortalis in alga.
sic nimis insultans extremo tempore saeva
fors etiam nostris invidit questibus auris.
Iuppiter omnipotens, utinam ne tempore primo
Gnosia Cecropiae tetigissent litora puppes,
indomito nec dira ferens stipendia tauro
perfidus in Cretam religasset navita funem,
nec malus hic celans dulci crudelia forma
consilia in nostris requiesset sedibus hospes!
nam quo me referam? quali spe perdita nitor?
Idaeosne petam montes? at gurgite lato
discernens ponti truculentum dividit aequor.
an patris auxilium sperem? quemne ipsa reliqui
respersum iuvenem fraterna caede secuta?
coniugis an fido consoler memet amore?
quine fugit lentos incuruans gurgite remos?
praeterea nullo colitur sola insula tecto,
nec patet egressus pelagi cingentibus undis.
nulla fugae ratio, nulla spes: omnia muta,
omnia sunt deserta, ostentant omnia letum.
non tamen ante mihi languescent lumina morte,
nec prius a fesso secedent corpore sensus,
quam iustam a divis exposcam prodita multam
caelestumque fidem postrema comprecer hora.
quare facta virum multantes vindice poena
Eumenides, quibus anguino redimita capillo
frons exspirantis praeportat pectoris iras,
huc huc adventate, meas audite querellas,
quas ego, vae misera, extremis proferre medullis
cogor inops, ardens, amenti caeca furore.
quae quoniam verae nascuntur pectore ab imo,
vos nolite pati nostrum vanescere luctum,
sed quali solam Theseus me mente reliquit,
tali mente, deae, funestet seque suosque.'
has postquam maesto profudit pectore voces,
supplicium saevis ecens anxia factis,
annuit invicto caelestum numine rector;
quo motu tellus atque horrida contremuerunt
aequora concussitque micantia sidera mundus.
ipse autem caeca mentem caligine Theseus
consitus oblito dimisit pectore cuncta,
quae mandata prius constanti mente tenebat,
dulcia nec maesto sustollens signa parenti
sospitem Erechtheum se ostendit visere portum.
namque ferunt olim, classi cum moenia divae
linquentem gnatum ventis concrederet Aegeus,
talia complexum iuveni mandata dedisse:
'gnate mihi longa iucundior unice vita,
gnate, ego quem in dubios cogor dimittere casus,
reddite in extrema nuper mihi fine senectae,
quandoquidem fortuna mea ac tua feruida virtus
eripit invito mihi te, cui languida nondum
lumina sunt gnati cara saturata figura,
non ego te gaudens laetanti pectore mittam,
nec te ferre sinam fortunae signa secundae,
sed primum multas expromam mente querellas,
canitiem terra atque infuso puluere foedans,
inde infecta vago suspendam lintea malo,
nostros ut luctus nostraeque incendia mentis
carbasus obscurata decet ferrugine Hibera.
quod tibi si sancti concesserit incola Itoni,
quae nostrum genus ac sedes defendere Erecthei
annuit, ut tauri respergas sanguine dextram,
tum vero facito ut memori tibi condita corde
haec vigeant mandata, nec ulla oblitteret aetas;
ut simul ac nostros invisent lumina collis,
funestam antennae deponant undique vestem,
candidaque intorti sustollant vela rudentes,
quam primum cernens ut laeta gaudia mente
agnoscam, cum te reducem aetas prospera sistet.'
haec mandata prius constanti mente tenentem
Thesea ceu pulsae ventorum flamine nubes
aereum nivei montis liquere cacumen.
at pater, ut summa prospectum ex arce petebat,
anxia in assiduos absumens lumina fletus,
cum primum infecti conspexit lintea veli,
praecipitem sese scopulorum e vertice iecit,
amissum credens immiti Thesea fato.
sic funesta domus ingressus tecta paterna
morte ferox Theseus, qualem Minoidi luctum
obtulerat mente immemori, talem ipse recepit.
quae tum prospectans cedentem maesta carinam
multiplices animo voluebat saucia curas.
at parte ex alia florens volitabat Iacchus
cum thiaso Satyrorum et Nysigenis Silenis,
te quaerens, Ariadna, tuoque incensus amore.
* * * * * * * *
quae tum alacres passim lymphata mente furebant
euhoe bacchantes, euhoe capita inflectentes.
harum pars tecta quatiebant cuspide thyrsos,
pars e divolso iactabant membra iuvenco,
pars sese tortis serpentibus incingebant,
pars obscura cavis celebrabant orgia cistis,
orgia quae frustra cupiunt audire profani;
plangebant aliae proceris tympana palmis,
aut tereti tenuis tinnitus aere ciebant;
multis raucisonos efflabant cornua bombos
barbaraque horribili stridebat tibia cantu.
talibus amplifice vestis decorata figuris
pulvinar complexa suo velabat amictu.
quae postquam cupide spectando Thessala pubes
expleta est, sanctis coepit decedere divis.
hic, qualis flatu placidum mare matutino
horrificans Zephyrus procliuas incitat undas,
Aurora exoriente vagi sub limina Solis,
quae tarde primum clementi flamine pulsae
procedunt leviterque sonant plangore cachinni,
post vento crescente magis magis increbescunt,
purpureaque procul nantes ab luce refulgent:
sic tum vestibuli linquentes regia tecta
ad se quisque vago passim pede discedebant.
quorum post abitum princeps e vertice Pelei
advenit Chiron portans siluestria dona:
nam quoscumque ferunt campi, quos Thessala magnis
montibus ora creat, quos propter fluminis undas
aura parit flores tepidi fecunda Favoni,
hos indistinctis plexos tulit ipse corollis,
quo permulsa domus iucundo risit odore.
confestim Penios adest, viridantia Tempe,
Tempe, quae silvae cingunt super impendentes,
Minosim linquens doris celebranda choreis,
non vacuos: namque ille tulit radicitus altas
fagos ac recto proceras stipite laurus,
non sine nutanti platano lentaque sorore
flammati Phaethontis et aerea cupressu.
haec circum sedes late contexta locavit,
vestibulum ut molli velatum fronde vireret.
post hunc consequitur sollerti corde Prometheus,
extenuata gerens veteris vestigia poenae,
quam quondam silici restrictus membra catena
persolvit pendens e verticibus praeruptis.
inde pater divum sancta cum coniuge natisque
advenit caelo, te solum, Phoebe, relinquens
unigenamque simul cultricem montibus Idri:
Pelea nam tecum pariter soror aspernata est,
nec Thetidis taedas voluit celebrare iugales.
qui postquam niveis flexerunt sedibus artus
large multiplici constructae sunt dape mensae,
cum interea infirmo quatientes corpora motu
veridicos Parcae coeperunt edere cantus.
his corpus tremulum complectens undique vestis
candida purpurea talos incinxerat ora,
at roseae niveo residebant vertice vittae,
aeternumque manus carpebant rite laborem.
laeva colum molli lana retinebat amictum,
dextera tum leviter deducens fila supinis
formabat digitis, tum prono in pollice torquens
libratum tereti versabat turbine fusum,
atque ita decerpens aequabat semper opus dens,
laneaque aridulis haerebant morsa labellis,
quae prius in levi fuerant exstantia filo:
ante pedes autem candentis mollia lanae
vellera virgati custodibant calathisci.
haec tum clarisona pellentes vellera voce
talia divino fuderunt carmine fata,
carmine, perfidiae quod post nulla arguet aetas.
o decus eximium magnis virtutibus augens,
Emathiae tutamen, Opis carissime nato,
accipe, quod laeta tibi pandunt luce sorores,
veridicum oraclum: sed vos, quae fata sequuntur,
currite ducentes subtegmina, currite, fusi.
adveniet tibi iam portans optata maritis
Hesperus, adveniet fausto cum sidere coniunx,
quae tibi flexanimo mentem perfundat amore,
languidulosque paret tecum coniungere somnos,
levia substernens robusto bracchia collo.
currite ducentes subtegmina, currite, fusi.
nulla domus tales umquam contexit amores,
nullus amor tali coniunxit foedere amantes,
qualis adest Thetidi, qualis concordia Peleo.
currite ducentes subtegmina, currite, fusi.
nascetur vobis expers terroris Achilles,
hostibus haud tergo, sed forti pectore notus,
qui persaepe vago victor certamine cursus
flammea praevertet celeris vestigia cervae.
currite ducentes subtegmina, currite, fusi.
non illi quisquam bello se conferet heros,
cum Phrygii Teucro manabunt sanguine
Troicaque obsidens longinquo moenia bello,
periuri Pelopis vastabit tertius heres.
currite ducentes subtegmina, currite, fusi.
illius egregias virtutes claraque facta
saepe fatebuntur gnatorum in funere matres,
cum incultum cano solvent a vertice crinem,
putridaque infirmis variabunt pectora palmis.
currite ducentes subtegmina, currite, fusi.
namque velut densas praecerpens messor aristas
sole sub ardenti flaventia demetit arua,
Troiugenum infesto prosternet corpora ferro.
currite ducentes subtegmina, currite, fusi.
testis erit magnis virtutibus unda Scamandri,
quae passim rapido diffunditur Hellesponto,
cuius iter caesis angustans corporum acervis
alta tepefaciet permixta flumina caede.
currite ducentes subtegmina, currite, fusi.
denique testis erit morti quoque reddita praeda,
cum teres excelso coaceruatum aggere bustum
excipiet niveos perculsae virginis artus.
currite ducentes subtegmina, currite, fusi.
nam simul ac fessis dederit fors copiam Achivis
urbis Dardaniae Neptunia solvere vincla,
alta Polyxenia madefient caede sepulcra;
quae, velut ancipiti succumbens victima ferro,
proiciet truncum summisso poplite corpus.
currite ducentes subtegmina, currite, fusi.
quare agite optatos animi coniungite amores.
accipiat coniunx felici foedere divam,
dedatur cupido iam dudum nupta marito.
currite ducentes subtegmina, currite, fusi.
non illam nutrix orienti luce revisens
hesterno collum poterit circumdare filo,
anxia nec mater discordis maesta puellae
secubitu caros mittet sperare nepotes.
currite ducentes subtegmina, currite, fusi.
talia praefantes quondam felicia Pelei
carmina divino cecinerunt pectore Parcae.
praesentes namque ante domos invisere castas
heroum, et sese mortali ostendere coetu,
caelicolae nondum spreta pietate solebant.
saepe pater divum templo in fulgente revisens,
annua cum festis venissent sacra diebus,
conspexit terra centum procumbere tauros.
saepe vagus Liber Parnasi vertice summo
Thyiadas effusis euantis crinibus egit,
cum Delphi tota certatim ex urbe ruentes
acciperent laeti divum fumantibus aris.
saepe in letifero belli certamine Mavors
aut rapidi Tritonis era aut Amarunsia virgo
armatas hominum est praesens hortata catervas.
sed postquam tellus scelere est imbuta nefando
iustitiamque omnes cupida de mente fugarunt,
perfudere manus fraterno sanguine fratres,
destitit extinctos gnatus lugere parentes,
optavit genitor primaevi funera nati,
liber ut innuptae poteretur flore novercae,
ignaro mater substernens se impia nato
impia non verita est divos scelerare penates.
omnia fanda nefanda malo permixta furore
iustificam nobis mentem avertere deorum.
quare nec talis dignantur visere coetus,
nec se contingi patiuntur lumine claro.
My Translation
A long time ago, pines born on Pelion’s ridge
are said to have swum through
Neptune’s pure waters, through
Phasis’s currents,
to the borders of Aeetes.
Here, young chosen men,
Argive youth hard like timber,
who longed to steal the golden fleece
from Colchis’s clenched grip,
dared to run a swift ship into the ocean’s
salty shallows, sweeping
the blue abyss with fir-wood oars.
The goddess who guards the city’s
highest heights, joining pine planks by
weaving a curved keel, made for them a light wind
on which their swift sleep flew.
With its voyage, the ship was the first
to soak rough Amphitrite, and
cut the windy surface and twisting water–
its oars, churning,
whitened the waves into foam.
From these dazzling depths,
the faces of sea-nymphs, marveling,
stared up at the strangers.
Then and only then did the mortals see,
with their own eyes, the sea-nymphs,
nude and rising from their waists
out of the milky white waters.
They say it was then that Peleus began
to burn with love for Thetis– and Thetis,
too, did not resent human marriage; even
her own father knew that the two must be joined.
O you heroes, born in the chosen age– hail, offspring of the gods!
O blessed children of blessed mothers – hail again!
I will call on you often in my song.
And you above all, Peleus,
Thessaly’s shining pillar,
lifted by fortune’s flames–
Jupiter himself,
father of the gods,
granted to you his own beloved daughter!
Did Thesis, most beautiful of the Nereids,
not hold you?
And did Tethys and
Oceanus, who encircles
the whole earth with his sea,
not allow you to carry away
their granddaughter?
When the long-awaited wedding day
finally arrived, all of Thessaly
convened, and crowded the home–
the joyful crowd consumed the palace.
They gathered at Pharsalus–
deserting Cieros,
leaving Tempe’s valleys,
Crannon’s homes, and
Larissa’s walls– they
poured into the Pharsalian halls.
No one tills the fields, and
the oxen’s necks rest.
No vines are cleared with
a curved hoe, and
no bull works the soil with
a plunging plough.
No pruning knife thins the trees’ shades–
rust, dirty and tough,
infects the abandoned tools.
But whatever lies inside
the rich halls of the royal home,
shines with gleaming silver and gold.
Ivory glimmers on the chairs,
cups twinkle on the tables–
the whole palace, radiant with royal treasures,
rejoices!
In the center of it all,
carved from Indian ivory,
covered with plum-colored cloth,
dyed in a rosy shellfish red,
the goddess’s bridal couch rests.
The cloth, crafted marvelously,
depicts each and every deed
of ancient figures and heroes.
On it, gazing out from the resounding
shores of Dia, Ariadne watches Theseus and
his swift fleet sail away,
her heart holding a storm
of uncontained anger.
Not yet can she even believe that she truly witnessed
what she sees–
she was just roused from a
treacherous sleep, finding herself
wretched and abandoned on the
lonely sand.
The young man, forgetful of his love,
cuts the wave with his oar,
leaving his empty promises
to the stormy winds.
And she, but a speck in the distance,
watches with tear-filled eyes from
the edge of seaweed–
like Bacchante’s stone carvings,
she watches and cries out
great waves of grief.
She does not hold back her
blond hair with her headband,
nor covers her breast with a light cloth,
nor covers her pale nipples with a smooth band.
All her clothing slips loosely
from her frame and
lies scattered before her feet,
toyed with by the salty waters.
But she pays no mind – she doesn’t care
for the headband or drifting cloak –
all of her,
her heart
her soul
her ruined mind
are consumed by you, Theseus,
alone.
O poor girl! Unceasing grief
has driven you half mad!
Venus of Eryx has left to you
these thorny anxieties ever since
fierce Theseus left behind
Piraeus’s curving shores and
reached the Cretan halls and their
unjust king.
They say that once upon a time,
when Athens was impelled by
a cruel plague to pay a penalty for killing Androgeos,
they chose to pledge certain youth
and the glory of innocent girls
for the Minotaur to feast upon.
Yet these narrow city walls were still
troubled by such evils when
Theseus himself chose to sacrifice his own flesh
for dear Athens, instead of
letting funeral ships continue to carry the
Athenian dead to Crete.
And so, in a speedy ship carried along by
gentle breezes, he arrived to
haughty Minos and his powerful throne.
Yet as soon as the royal maiden,
her gaze burning with longing,
locked eyes with him –
she who was nourished by a pure bed,
and breathed sweet perfumes,
raised in her mother’s soft embrace just as
the streams of Eurotas encircle
myrtles, whoseflowers the
spring breeze blesses with shifting color–
her blazing gaze did not turn away,
until the fire spread through her entire body,
burning to the depths of
her bones.
O holy boy! You mingle with the
joys and torments of human hearts!
Even she who rules Golgos and leafy Idalia–
even her mind is tossed into storms,
sighing repeatedly and burning for you,
blond stranger.
Her faint heart must be consumed with so many fears!
So often she grew paler than
yellow gold when Theseus,
itching to face the savage monster,
sought either death or the prizes of praise.
Yet never ungrateful, and never in vain,
she promised small gifts to the gods and
silently prayed for his life.
And so, just as an oak on the top of a mountain
shakes its branches,
or a cone-bearing pine and its damp bark,
twisting with violent gusts and
torn from its roots by a whirlwind,
hurls forwards and impales whatever stands in its path,
Theseus, mastering the monster,
pinned it to the ground and tossed its horns
into the winds.
Unharmed and showered in praise,
he retreated across his wandering path,
following a slender thread
so the labyrinth’s winding maze
would not trick him as he left.
But why am I straying from
my first song, and instead describing in detail
how the daughter abandoned her
father’s sight, departed from her
sister’s embrace, and last left her
mother, who, in misery, rejoiced her
lost daughter?
She chose Theseus’s sweet love over them all–
until, carried in his ship, she arrived at
Dia’s foaming shores and her husband’s
forgetful heart abandoned her in sleep.
Often, they say that the rage of her
burning heart led her to wail–
clear-sounding cries from the depths of
her breast. Now, she climbed
the jagged mountains and peered across the
vast ocean. Now, she ran
against the trembling waves and lifted
her soft hem from her naked calf–
she cried these last words,
her breath drawing frigid sobs from
her tear-stained mouth:
“O faithless one, is this how you leave me?
You, carried from my father’s altars,
is this how you abandon me, Theseus,
alone on these shores?
Is this how you leave me,
the will of the gods escaping your mind,
carrying with you your
broken promises?
Could nothing change your cruel mind?
Have you no mercy, no pity in your savage heart?
Once, you spoke to me–
gave me hope for a joyful marriage,
sang our wedding songs!
The airy winds scatter all of it,
worthless.
Never again let a woman believe a man’s promises!
Never again let a woman hope that a man’s words aren’t lies!
Men’s minds once burned with desire–
so much of it that they didn’t fear swearing and promising everything–
but once they are sated,
they do not give a passing thought to their words,
or regret their broken promises.
And yet I, yes, I,
snatched you from the center of death’s whirlpool–
I chose to lose my brother if it meant saving you,
you faithless one,
in your final hour.
And for this, you let the beasts tear me apart!
You give me as prey to the birds,
my dead body unburied and scattered upon this earth.
What lion gave birth to you under
a lonely cliff?
What sea spat you out from its
foaming waves?
What Syrtis,
what ravenous Scylla,
what massive Charybdis,
created you, who is ungrateful
for a life saved by love?
If you did not care to be married to me–
if you shrank away from father’s harsh commands–
you could have still brought me into your home.
I would have served you, like a
willing slave, bathing
your pale feet in pure water and
spreading plum-colored blankets on your bed.
But why do I bother complaining
to deaf ears? Consumed by my grief,
why am I speaking to one who
cannot hear and cannot answer?
He is already far out at sea –
nothing human appears on these wasteland shores.
Even in my last hour,
savage fate strips my cries
of any listener.
O all-powerful Jupiter –
if only those Cretan ships, carrying
tribute to the wild beast, had never
touched Athenian shores.
If only their faithless captain
had never anchored his fleet in Crete, and
if only this evil man, hiding
cruelty beneath a beautiful frame,
had never spent the night as a guest in our home!
Where can I go from here?
What hope can I, ruined, find?
Should I seek the mountains of Ida?
No, the wide sea cleaves them
with its savage waters.
Should I beg for my father’s help?
No, I left him,
following the young man,
stained with the blood of my brother.
Should I comfort myself with my husband’s loyalty?
No, for he flees, bending
his careful oars across the sea.
This island is empty–
it has the shelter of no roof,
it has no path of escape–
it opens only to the threatening waters.
There is no flight, no hope:
everything is
silent, deserted,
dying.
But before death dims my eyes,
before life departs from my tired soul,
I must demand that the gods punish justly–
in my last breath,
I call on the faith of heaven:
Eumenides, you avengers of human souls,
with brows made of serpents and
faces betraying the heart’s rage,
come here, come here!
Hear my plea– a plea
my innermost being,
helpless, burning, and blind with raging fury,
compels wretched me to speak.
These words are true, born from the
depths of my heart–
do not let my grief disappear into nothing.
Since Theseus left me
alone to suffer,
let him destroy himself, goddesses,
with his own savage grief!”
When these words had poured from her
saddened heart, demanding punishment for cruelty,
the king of the gods nodded in agreement:
at his movement, the earth and sea trembled, and
in heaven, the shining stars shuddered.
And Theseus himself,
his mind clouded with darkening mist,
let all the instructions he once held firm
slip out of his heart–
he did not raise welcome signals to his
anxious father to show that
he had returned safely to the Athenian harbor.
Long before, they say that
when Aegeus trusted the winds with his son,
he gave him these commands,
embracing his young man before he left the city:
“My son, you are dearer to me
than long life itself.
My son, who fate and fierce courage
tear from me, forcing me to send you into
perilous dangers against my will–
my failing eyes are not yet ready to lose
the beloved sight of you.
I do not send you away happily,
or with a joyful heart, and I will not
let you carry the flags of good fortune.
Instead, carry with you the many complaints
staining my grey hair with dust and ash,
while I hang black sails from
the wandering mast– the dark cloth
betraying my grief and
the burning of my heart.
But if the goddess who guards our lineage
will allow you to stain your hand with
the blood of the bull, then
remember these instructions–
inscribe them into your conscientious heart
and do not let time erase them:
as soon as your eyes catch sight of our hills,
cast off the dark sails, and let
the twisted ropes raise a white canvas,
so that my joyful heart can see that
good fortune brings you home.”
But these instructions, which once
Theseus held firmly in his mind,
left his memory like clouds
blown by the wind
from a mountain’s snowy peak.
As soon as his father,
watching from the citadel’s heights, with
eyes exhausted by constant crying,
saw the dark sails,
he hurled his body off the cliff,
believing Theseus, too,
had been lost to cruel fate.
Theseus, upon entering
his dead father’s home, was
struck with fierce grief –
he received the same sorrow
his forgetful heart had given
to the daughter of Minos–
she whose wounded mind,
still wishing to see the departing ship,
struggled with endless anxieties.
But from elsewhere Bacchus came!
Blooming and burning with love, he,
with the band of Satyrs
and the Nysa-born Silenes,
seeks you, Ariadne!
Everywhere, the Bacchants raved,
their minds aflame and heads tossing,
crying “Euhoe!”
Some shook thyrsi wrapped in leaves,
others threw a calf’s torn limbs,
still others tied themselves with twisting snakes,
and still others carried, in hollow baskets,
the hidden rites that the profane so long to hear.
And of course, lifted hands beat upon drums
or clashed thin bronze in ringing beats–
many blew harsh horns, and
savage pipes shrieked a dreadful song.
The sacred couch’s cloth embraced
the splendid scenes that covered it.
When the people of Thessaly,
after gazing at it eagerly, were sated,
they began to withdraw from the goddess’s sanctuary,
right as Zephyr stirs the slanting waves,
ruffling the soothing sea with dawn’s breeze,
while the wandering sun rises beneath Aurora’s threshold.
First, the waters move slowly,
stirred by only a soft wind – they laugh gently
in quiet ripples.
Then, the breeze grows stronger,
and they continue to rise–
from afar, they gleam purple in the light.
Now, the guests leave the palace doors,
drifting away with dawdling steps.
After they left, Chiron came from Pelion’s peak,
carrying woodland gifts
(whatever the flowers and fields bear,
whatever Thessaly cultivates on its great mountains,
whatever blossoms when the warm west wind’s
fecund breath exhales beside the streams).
These he brought, woven in mismatched garlands,
and the home, soothed with their scent,
appeared to smile.
Not long after came Peneus,
who left green, walled Tempe with its overhanging forests–
he did not come empty-handed:
he brought tall beech trees, torn from the roots,
and straight-trunked laurels with long leaves,
and he did not arrive without the nodding planes
and pliant poplars– the sister of blazing Phaethon–
and airy cypress.
He set these in a wide circle around the
halls– the vestibule itself
grew green with gentle leaves.
After him, smart, skilled Prometheus arrived,
bearing the worn scars of his ancient punishment–
once, bound with chains to a stone,
he hung from the rocky cliffs.
Then, the father of the gods himself approached,
with his sacred wife and children,
leaving only you, Phoebus, and your twin,
who haunts Ida’s ridges, behind;
both of you despise Peleus, and
would not celebrate his marriage.
They settled their limbs on the ivory seats
before tables heaped high with bounty,
and meanwhile,
twisting their bodies with subtle movements,
the Fates began to sing their always honest song.
Their shaking bodies were wrapped
in white robes bordered with plum,
and rose-red braids rested on their snow-white locks.
Their hands draw out an endless spool of wool–
the left hand held the spindle,
covered in a soft fleece, and
the right’s lifted fingers drew out the threads,
twisting them on the downward thumb and
setting the balanced spindle whirling–
a plucking tooth =smooths the wool,
and bits of it cling to their dry lips.
Before their feet,
soft baskets guard shining thread.
Then, striking the fleece with pure voices,
they foretell fate in a divine song,
which no later age will prove false:
“O safeguard of Thessaly,
dearest of Jupiter’s descendants,
you add glory to your arsenal of mighty powers
and receive the truthful oracle the sisters unfold for you
on this brilliant day.
Hurry on, draw the threads– hurry on, spindles!
Soon the Evening Star will come to you,
carrying the bride that husbands long desired–
with that lucky star, your wife shall arrive,
who will flood your heart with surrendering love,
who will lay her soft arms beneath your strong neck
and join you in gentle slumber.
Hurry on, draw the threads– hurry on, spindles!
No house will have ever woven such loves–
no love has ever bound lovers more strongly
than the love between Thetis and Peleus.
Hurry on, draw the threads– hurry on, spindles!
To you both, Achilles will be born–
fearless and known to enemies for never turning his back–
in swift races, he will outrun even the
deer’s blazing tracks.
Hurry on, draw the threads– hurry on, spindles!
No hero will match him in battle, even when
the fields of Troy are soaked with Teucrian blood,
and deceitful Pelops’s third heir
lays waste to the city’s walls in
this brutal conflict.
Hurry on, draw the threads– hurry on, spindles!
At funerals for their sons,
mothers will often recall his glorious deeds,
untying the grey hair on their heads and
striking their sagging breasts with trembling fists.
Hurry on, draw the threads– hurry on, spindles!
Now, as a reaper, under the burning sun,
cuts down the thick-growing grain of the yellow fields too early,
Achilles destroys Trojan bodies
with a fierce blade.
Hurry on, draw the threads– hurry on, spindles!
The river Scamander, spreading everywhere
to the swift Hellespont, sees it all–
its current narrowed by heaps of corpses,
its deep waters warmed and mixed with blood.
Hurry on, draw the threads– hurry on, spindles!
It sees, too, the prize given to death–
beside the overflowing tomb a
white-limbed maiden falls,
struck down upon the mound of the dying.
Hurry on, draw the threads– hurry on, spindles!
When at last fate grants the Greeks power
to breach the walls of Troy,
Achilles’s tomb will be drenched in the
blood of Polyxena–
like the victim of a double-edged blade,
she sinks to the earth.
Hurry on, draw the threads– hurry on, spindles!
Come! Join your yearning hearts with love!
Let the groom and the goddess consummate their fortunate union!
Let the bride finally be given to her eager husband!
Hurry on, draw the threads– hurry on, spindles!
No nurse visiting at dawn will rebind
her neck with the thread of yesterday,
and no anxious mother will grieve,
lying in her husband’s bed,
a dead daughter,
and dead grandchildren.
Hurry on, draw the threads– hurry on, spindles!”
The Fates, speaking
from their divine hearts, sang these true
songs for Peleus– for in those days,
the gods often visited the pure
homes of heroes, showing themselves
openly to mortal eyes.
The father of the gods, too, was
often seen lingering in shining temples.
When yearly rituals resumed,
often a hundred bulls fell to the earth.
Wandering Bacchus drove
partying women from Parnassus’s heights,
and Delphos rushed to welcome
the god at smoking altars.
And Mars himself, often in a deadly battle,
or Minerva, Lake Tritonis’s lady,
or maiden Artemis,
urged on soldiers.
But after the earth was stained with
an unspeakable crime, and the greedy minds
of men expelled justice,
brother’s hands were soaked in brother’s blood,
sons shed no tears for their dead fathers,
fathers wished for the funeral of their firstborn sons
so they may court their sons young, flower-like brides,
faithless mothers lay beside their sons, shameless,
defiling the household gods.
This evil frenzy compounded
everything lawful and unlawful alike,
so the gods turned their just minds away from us.
They no longer visit our gatherings,
nor allow themselves to be
touched by mortal eyes.



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